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From Indie-Music.com, December 2006

Tracy Kash Thomas, with her pale complexion and Asian dress, suggests a frail flower vocalist. But the lightly funky “My Own Worst Enemy” opener tells a different story. This singer is sassy, confident and assertive.

There and Back Again touches upon jazz elements in addition to soul stirrings. She uses groove-oriented backing tracks to support girl power songs. Although her words are mostly straightforward and serious, “Hunger” takes a lighthearted approach with lines like, “fear is not your happy friend.” Like most other independent artists, Thomas has big league dreams. She gets straight to that point on “Relocation Song” where she asks: “When you hear this, will you take pity and offer me a record deal and everything I hope I deserve?”

Thomas helped found an all women a cappella group called Lorelei. She is also an accomplished flute player. Heck, her song “Home” is even found on the CD ROM accompanying “The Complete Idiot’s Guide to MP3,” so she has plenty of irons in the fire.

But if and when Thomas gets that label offer she cannot refuse, it will not come out of pity – as is jokingly suggested by “Relocation Song.” Thomas has a strong and distinctive voice, one that demands to be heard. Any success she achieves will most certainly be earned.

Cytra (BMI) couldn't have had a better artist than Tracy Kash Thomas. Anyone who has had the opportunity to hear her latest work, There and Back Again, will find that in this modern world of music of vocals only made pretty with special effects, it comes by naturally with Thomas, whose lush vocals, intriguing lyrics, and jazzy beats takes a song in any style and makes it completely her own.

Thomas possesses the vocal power that reminds everyone in this artificially developed, studio-produced world that there are still some vocalists who can still sing; especially on selections such as My Own Worst Enemy and Under

This CD is enjoyable for all. It has a little bit of everything, even for those who normally wouldn't listen to Thomas' type of music. Her vocal powers are supple and her phrasing is sublime as well. She sings with different types

of emotion that are infectious to the listener and seems to be having as much fun singing as I was listening.

Those who appreciate true music sung and performed by artists who know how to do it right will no doubt love There and Back Again. Tracy Kash Thomas is a true talent with the best voice I have heard in years and the

songwriting on all the selections of this CD is no less than top notch. This is indeed independent music at its best that will be staying in my CD changer for many weeks to come.

In a mix of jazz-pop, Thomas opens her album with “My Own Worst Enemy,” revealing her discovery of life’s bigness. Telling the story of finding her own melody, Thomas seeks harmony in life, as she makes her way through a series of life-changing events.

Finding the “Person I Adore” turns Thomas’ tone upbeat, even hopeful as she expresses her relief at finding that special person. Light, airy flute bridges the words, while rhythm is maintained by a soft, percussive bass and drum.

Taking us through her life journey, Thomas offers light, airy inflections to contrast her deeper notes on “Make Me Blue,” after the love has moved on.—giving her inspiration to write. Kris Kurzawa provides an interesting mix on guitars between chorus and finish

Flirty, light, perky, “Distraction” picks up the beat, taking the listener into a swingy mood. Again, Kurzawa frets a plucky string. “Under The Bridge” gives drummer, Bill Higgins, a chance to come out front and create a funky balance to Thomas’ crystal clear voice.

Closing the CD with “Hunger,” Thomas accompanies her voice with soft keyboards, completing her story telling venture, explaining ‘no one should wait too long to free themselves’ in life.

Tracy Kash Thomas has a clear, easy to understand voice. Her accompaniments are a tight group of players. Already featured on radio stations in Detroit, Thomas is on her way to establishing her independence as an artist.

Having spent a successful five years in New York City where she built a strong reputation and faithful following, Detroit native Tracy Kash recently moved back home to the Motor City. Heavily influenced by R&B and jazz, Kash has been described as "the female version of Stevie Wonder...with heart and soul oozing out of every pore." Some Strong Potion is the aptly entitled singer/songwriter's debut, featuring ten sensually, soulful tracks that critics have described as "indie stuff at it finest...first class songwriting with intriguing lyric and lush vocals." My favorite tracks are the Motown-ish "Wading in Waiting", "Home", "High" and the bluesy "The Plan."
- Mark Clark, Jam Rag
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Tracy Kash honestly has one of the most fantastic voices I've heard in a long time. Just amazing. The music here is heavily influenced by R&B and Jazz. There are even moments when I could swear I'm listening to a female version of Stevie Wonder. (I *love* Stevie Wonder. This is music that's familiar to me - music I grew up with.) Her band provides just the right mix of backup for that stunny voice of hers, their own skill at what they do, incredibly obvious. The songwriting is first class. The album this demonstration song is taken from, is called Some Strong Potion and this is indie stuff at its finest. These songs aren't meant for the "3 minute radio" format. They're meaty pieces (one of them is actually over 6 minutes long - and I barely noticed!) with heart and soul oozing out of every pore. Take a listen to this sample and you'll see what I mean, but the entire album really needs a listen in order to get what Tracy and her band are all about. I highly recommend you take the time.
- Jodi Krangle, Proprietress of Muse's Muse, http://www.musesmuse.com
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From Music Dish, May 2000

You know, "The Plan" (esp. the way the chorus part is presented) sure reminds me of
something from Helen Reddy's 'Long Hard Climb' album. Sometimes the beat goes so
slow I think it's going to stop, yet it keeps going at the same pace, and finds itself in an
organ and guitar instrumental break that takes me right back to those keen 70s without
completely leaving the 00s.

10 songs here, nearly 50 minutes of Tracy making us feel right at home, never too strong,
never too 'bad', containing just enough soft rock jazz to keep you yawning through smiles.
After a few listens, I still want to listen again because of the mixture of styles her whole
crew brings to tunes that Need to be whistled. From "Home" we get 'have a merry
christmas happy birthday to you. blow out the candles on your cake and make your dream
come true. never had to borrow any time for sorrow. every moment sparkled like the sea
beneath the sun, oh'. Pretty, elegant stuffs.

- Ben Ohmart, Music Dish, http://musicdish.com
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The Tracy Kash Band - "Some Strong Potion"
by Marcus Pan, Legends Magazine, to appear September, 2000 issue

Everyone has their deep dark completely non-goth secrets. Late at night
when nobody's looking, when the rest of the gothic commune is asleep and
nobody can hear, we'll all slip in something that if our brethren heard it
they would point and scream - therefore ruining our spooky and black-clad
reputations. You know it, I know it, we all know it. As long as you don't
get caught, you can still hang with the bats. Well, being a jaded cynic
anyway, I figured I'd be the first to step to the forefront and exclaim, for
no good reason, that, "Not all the music I listen to is goth/industrial or
related!" So there! I feel better already.

One band that caught my eye recently hails from my home state of Jersey and
is making waves in Manhattan. Fronted by previous classical musician, Tracy
Kash as singer/songwriter, The Tracy Kash Band play a jazz/soft-rock style
infusing their songs with comfortable vibes and wonderful arrangement. The
instrumentation is well balanced and the rhythms are smooth, with just a
pinch of morose blues-style lyrics. Featuring Art Hays on guitar, Ted Cruz
on keyboards, Bob Roe on bass and Brian Delaney on drums, The Tracy Kash
Band is an enjoyable entourage. I wanted to turn your eyes to them because
their debut album is quite a triumph.

Supported by her studies that lead to both Bachelor's and Master's degrees
in orchestral performance, Tracy put down her flute to find a love of
songwriting and jazz arrangements. The learned endeavors clearly show in
the songs found here on Some Strong Potion - surely there are more than a
handful of bands that could use a little bit of school in putting their
tracks together. Having the background she does allows her to arrange
everything together in such a way that there's a smooth blend across the
instrumental scope - nothing overbearing, everything melded together.

Opening with Fleeting, a bittersweet melody of one night encounters. The
way you can meet someone who seems to be such a perfect counterpart to you,
"Just like old friends when in reality it was just a few hours."
Afterthought can bring forth a bitter reality. Picking up the pace a bit
with a flowing rhythm and Tracy's off-the-cuff vocals, Where Is She? is
another story - this time how one can find themselves at the top of the pile
in one place, but just another dime in the dozen in another. Tracy's chorus
singing in Where Is She? clearly shows her ability to carry a tune well and
with aplomb.

Another track I enjoy is the depressing and truthful - for isn't the truth
usually the most depressing anyway? - Wading In Waiting. Rhythms are
subdued, the bass line minimal and perfected. Facing reality with, "I just
think it's time that we moved on," upon the realization the song becomes
more complicated with a stronger, yet still slow and low, rhythm section.
With bright guitar licks and keyboard arrangements, The Price of Fame is a
sarcastic piece poking fun at success. Wonderful lyrics like, "No, I won't
forget you. Since you put me on top - tell me now, what did you say your
name was?" Yet while enjoying the sarcasm, Tracy is looking for the fame
she wants. Everybody wants to be known, don't they? It's like what the
Counting Crows say (egads, another not-goth musical group), "When I look at
the television I want to see me staring back at me." Otherwise you might as
well be a mushroom or something.

Smooth, end-of-day, mellow out and settle down music. This is my
after-stomping-around-a-club CD of choice. Relax, chill out. Enjoy the
rhythms, witty lyrics, comfortable guitar and bass lines, keyboard and piano
melodies. Hell, I might even go see them play sometime - that is, of
course, if the venue lets in the freak in the makeup. Hey Tracy, keep your
eye on the dark corners, luv.